面对这样的一个媒体世界，从青少年时期的美术类杂志，稀有的美术画册，到现在的多语种网络时代。海量资讯的时代，太多的二手图片可以被选用。因为二手图片已经变成现实，如同可以被写生的真实风景。当然还有我们的日常生活，依然十分的鲜活和微妙并难以琢磨，尽管局限性是明显的。这个世界如此大，古往今来的艺术家始终要保持儿童般的好奇心和感受力，同时变成“千手观音”，才足以应付这样的信息时代。
盛天泓
What we faced is such a media world: the art magazines in adolescence age, rare art books, and the multi-lingual Internet age right now. This is an era of mass information. There are too many second-hand images can be selected, because the second-hand pictures has become the reality, just like the real scenery which can be sketched. And of course, we still have our daily lives, which are still very fresh subtle but elusive, despite the limitations are obvious. This world is so big - of all ages - artists should always keep a curiosity and sensibility of child, and become "Thousands Hands Kuan-yin" at same time, to cope with such information age.
Tianhong Sheng
